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Essay/Term paper: A comparison of the medieval and renaissance eras

Essay, term paper, research paper:  Research Papers

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A Comparison of the Medieval and Renaissance Eras


It is amazing how significantly various aspects of society can and will
change over a prolonged period of time. Between the time periods of the
Medieval era and the Renaissance, one can note numerous significant changes,
mainly those pertaining to art and religion. In general, ideals and subjects
during the Renaissance became more secular. In Medieval times, people seemed
to focus mainly on the church, God, and the afterlife; Whereas during the
Renaissance, the focus was more secular: humans and life on earth. Although
these two eras differ in many ways, the most concentrated differences deal with
the realms of architecture, painting, and philosophy.

Architecture noticeably shifted from religious awe to classical reason
between the Medieval era and the Renaissance. During the Middle Ages,
architecture was aimed mainly at making advancements in the church. Medieval
cathedrals had very distinct features, such as pointed spires, which were
exactly that -- spires, or steeples, that were pointed and extended upward from
the tower area; the rose window, which was a large stained glass window that
was located on the front of the tower; and squared-off exterior walls, which
were a contrast to the usual rounded exterior designs that people were
accustomed to. Overall, cathedrals during this time could have very elegant
features due to the excellent techniques of support and stabilization.
Buttresses, simple extensions of the cathedral wall to enhance support, and
flying buttresses, stone structures set away from the cathedral wall and
attached at the top, contributed to the excellent support that Medieval
cathedrals experienced. While architectural advancements during the Middle
Ages were concerned mainly with making elegant reformations in the structure of
the cathedral, architecture during the Renaissance was much less religion-
centered, and revolved more around classical reason and secularity.
Architecture in this time was concentrated mostly with the design of castles,
such as the home of the prevailing Italian Medici family, perhaps the richest
family in Europe. Architectural focus had changed from the cathedral in the
Medieval era to other, more classical and secular subjects, such as castles and
homes of significant rulers.

The style, subjects, and overall attitude of painting was something that
underwent very significant changes during the progression from Medieval times
to the Renaissance. Generally, paintings became more secular, and less focused
on aspects of the church, as the Renaissance approached. Medieval paintings
seem to be focused almost entirely on religion and are given heavenly
attributes, while paintings of the Renaissance consist mainly of secular
subjects and contain much more realism, especially noted in human subjects. In
Giotto's Madonna With Child, a Medieval painting, any observer will obviously
notice that the child and woman are very awkwardly proportioned, indicating the
lack of realism. However, in the Mona Lisa, by DaVinci, and The Marriage of the
Virgin, by Raphael, both paintings of the Renaissance, it is evident the amount
of realism that the artists were attempting to portray. Both of these
paintings are extremely realistic, seemingly three-dimensional, very well-
proportioned, and involve large amounts of shading to accentuate the realism.
When considering the subjects of Medieval painting, the majority of them were
religious oriented or somehow involved the church, whereas religion or the
church was seldom involved in Renaissance paintings. Rather, paintings of the
Renaissance involved mostly secular subjects, as seen again in DaVinci's Mona
Lisa and also Raphael's The School of Athens. In the case of the Mona Lisa,
the subject is a typical woman with a very sublime smile, but with no apparent
religious association whatsoever. The same applies to The School of Athens; it
is a painting of a group of philosophers in a barrel-vaulted and domed hall: no
religious connection can be made here, either. On the contrary, the Medieval
painting, The Annunciation, deals with exactly that: an annunciation, a
religious event in which many Christian churches commemorate the announcement
of the incarnation of Luke. As shown in these examples, painting took a very
secular turn in the Renaissance from the religious-based paintings that were
found in the Middle Ages.

Perhaps the greatest and most evident way in which the Medieval and
Renaissance time periods differ is found in the opposing premises of philosophy.
Again, the theme of progression from religious-oriented thoughts in the
Middle Ages to the secular ideals of the Renaissance is evident. The Medieval
philosopher, Aristotle, proposed the logic that the systematic ordering of
knowledge, in addition to reason, need to be applied to the Bible in order for
one to be ultimately successful. This logic is pointed directly at the
significance of religion and the church during the time. In addition to
Aristotle's proposed logic, the general view of people in the Middle Ages was
that of putting faith in the church, with hopes that that is where their
problems could be solved and their questions could be answered. During the
latter Renaissance, however, thoughts were more associated with life on earth.
New confidence in human abilities and thought was developed, and there were
many more inquiries pertaining to science and reason, rather than religion as
it was in the Middle Ages. Philosophic developments during the Renaissance
were made to be more practical and had more realistic applications to the "real
world." The philosopher, Machiavelli, is an example of this, as he made
attempts to find a balance between freedom and authority, something that was
very useful in life and put no confidence in the church or God. He developed
the idea that a corrupt society needs to find a strong leader to govern so that
the people can learn to be capable of self-government. This was a practical
idea and applicable to everyday life. Ideals during the Renaissance became
more directed toward practicality concerning life on earth and put less faith
in the church than did the people living in the Middle Ages.

The ultimate changing theme that was evident during the progression from
the Medieval to Renaissance eras was that of religious-based ideals to ideals
that were much more secular. People took a turn from putting all their faith
in the church and concerning themselves with the afterlife, and began
developing practical logic and reason toward living their life on earth. As
seen in the differences in architecture, painting, and philosophy, attitudes
and morals of people living in the Renaissance were much different and more
secular-based than those of people living in the Middle Ages. Medieval times
were based mainly on trust in one's own religion and church, while the
Renaissance involved a time period in which people developed an increasing
pursuit in learning and imaginative responses to broaden horizons.


 

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