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Essay/Term paper: The real king

Essay, term paper, research paper:  Society

Free essays available online are good but they will not follow the guidelines of your particular writing assignment. If you need a custom term paper on Society: The Real King, you can hire a professional writer here to write you a high quality authentic essay. While free essays can be traced by Turnitin (plagiarism detection program), our custom written essays will pass any plagiarism test. Our writing service will save you time and grade.

Riley B. "B.B." King
(guitarist/singer, born September 16, 1925, Itta Bena, MS)

The most touching bluesman of our time, and the most influential electric guitarist ever, the "King of the
Blues" sums up his message with some simple advice. "I would say to all people, but maybe to young
people especially--black and white or whatever color--follow your own feelings and trust them, find out
what you want to do and do it, and then practice it every day of your life and keep becoming what you are,
despite any hardships and obstacles you meet."

So hard to follow yet so good to live by, those words also describe the course of the musician's
extraordinary career. The obstacles in his path were many: He was born during the Great Depression in the
poorest of American states, the son of black farm laborers. Only talent, hard work, and an unstoppable
artistic vision can account for King's journey out of the Mississippi Delta, through the roadhouse joints of
the "Chitlin' Circuit" in the South to the legendary Apollo Theater in New York, into the recording studio, to
the hearts of millions. Praising his "apparently inexhaustible reserve of creativity," as he presented B.B. King
with the National Medal of Arts in 1990, President George Bush hailed the blues musician as a "trailblazer,
an authentic pioneer who literally helped shape his art form."

Riley B. King (the extra "B" came later and doesn't stand for anything) spent his childhood all over the
state of Mississippi. When his parents separated in 1929, the boy went to live with his maternal
grandmother in Kilmichael; his mother died when he was nine and, in 1940, B.B. joined his father's new
family in Lexington for two years before returning to Kilmichael. He took on farm work in Indianola in
1946 but, after wrecking a tractor, decided his future lay in Memphis, Tennessee. A fan of the bluesman
Bukka White, young B.B. looked him up for advice and found himself working as a street corner bluesman
in Memphis. In 1948 he worked up the nerve to audition for WDIA, a hillbilly radio station that was about
to change its format to cater to the black community. He got the job.

He cut his first record in 1949, "Miss Martha King," followed by "Three O'Clock Blues" and "She's
Dynamite" in 1951. Both reached Number One in Memphis. By 1955, King decided to put together his
own band, and a steady string of hits followed that included "Recession Blues," "Rock Me, Baby," "How
Blue Can You Get," "Help The Poor," "Don't Answer the Door," and the immortal "The Thrill Is Gone,"
which brought the bluesman his first Grammy Award. King's fans by the 1960s included the Rolling
Stones--for whom he opened on tour--as well as rockers like Eric Clapton. Still, while his influence could
be heard in more than a few rock singles, B.B. King himself remained true to the blues.

With is guitar "Lucille" strapped across his broad chest, King hit the road around 1946 and has not
stopped since. He redefined and reinvigorated the blues at a time when rock and roll seemed the only
answer to American popular music, and his uncompromising artistry has had a telling influence on both rock
and contemporary urban blues. King's tastes range wide but, whatever the source of his inspiration, the
transformation leads right back to the blues: His roots in the big church choirs and soulful wailing of the
South, they are those of the people who work this country's soil, those too of the millions who live in the
great American cities. His unique, easy string vibrato, his heartbreaking singing, and his impeccable
musicianship have set him apart even as a generation has grown that--in no small part thanks to B.B. King's
example--finds the blues a rejuvenated, vibrant American art form. "We don't play rock and roll," he said in
1957. "Our music is blues, straight out of the Delta. I believe we'll make it on that." He was right. He still is.





 

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