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Essay/Term paper: M butterfly

Essay, term paper, research paper:  English Composition

Free essays available online are good but they will not follow the guidelines of your particular writing assignment. If you need a custom term paper on English Composition: M Butterfly, you can hire a professional writer here to write you a high quality authentic essay. While free essays can be traced by Turnitin (plagiarism detection program), our custom written essays will pass any plagiarism test. Our writing service will save you time and grade.

RIUve played out the events of my life night after night, always

searching for a new ending to my story, one where I will leave this cell

and return forever to my ButterflyUs arms.S (Hwang 3.3.1-4) With these

words of David Henry HwangUs play M Butterfly, we realize that we have

just been staring directly into the memories of Rene Gallimard. The fact

that Rene Gallimard serves as the narrator of his memories in the play M

Butterfly delivers an impression of the character behind Gallimard than

could ever be achieved by the viewing of the screenplay. The existence of

Marc in the play as seen from GallimardUs perspective, the fact that

Gallimard serves as the main organizer of ideas in the play, and the

differing roles of Helga in the two works all lead to very different

impressions and interpretations by the reader or viewer.

GallimardUs narration seems to be the most obvious difference

between the movie and the play. While reading the play, the audience has

an opportunity to get to know the personality of Rene Gallimard, as well

as his feelings about certain topics. Such insight can be very crucial in

the impression that a character makes on an audience. GallimardUs persona

is very evident in the opening lines of the play. He remarks initially

about the dimensions of the cell, the atmosphere, and the living

conditions. Immediately, this paints a picture for the reader that is

very accurate physically, and the reader sees that Gallimard is

straightforward, and says what he means without very much preamble. As

the opening scenes develop, we also see the side of Gallimard that is the

dreamer. Rene definitely has visions of perfection, and they are

demonstrated when he remarks RAlone in this cell, I sit night after

night, watching our story play through my head, always searching for a

new ending, one which redeems my honor , where she returns at last to my

arms.S (1.3.7-11) Gallimard can be classified as a dreamer, and not only

because he is confined to a prison cell for many years. He has a vision

of how life is supposed to be, and feels rewarded when

he conforms to a stereotype. For example, he says RI knew this little

flower was waiting for me to call, and, as I wickedly refused to do so, I

felt the first time that rush of power -- the absolute power of a man.S

(1.11. 8-10) Being Ra manS is important to Gallimard, and following the

so called RWestern FantasyS of having an affair with an Eastern woman is

tantalizing to him. Glimpses like these give the reader incredible

insight into the mind of Gallimard, which are very useful to explain

later actions in the story. A narrator builds a friendship with the

reader, a person that the audience can trust. We see the events from

GallimardUs side of things, which are much more distorted in the play

than the events that occur in the movie. The removal of the narrator in

the movie leaves the viewer to develop GallimardUs personality for

themselves, rather than get to know how he thinks. This puts the viewer

at an overall disadvantage for understanding the true meaning behind M


Another significant part of the play that is omitted from the

movie is GallimardUs best friend from school, Marc. Marc is described as

a Rwomanizing cadS (1.3. 81) by Gallimard, giving the reader an obvious

first impression. He is developed as a character that is there for

Gallimard in times of need, and serves as someone that Gallimard can go

to in times of need. A friend like this does not exist in the movie, and

the viewer gets the sense that Gallimard is very quick in decision making

and has little doubt about his actions. In the play, however, we know

that this is not the case. There are several cases where Marc talks to

Gallimard in his head, and reasoning for decisions is explained. For

example, Marc says RAll your life youUve waited for a beautiful girl who

would lay down for you.....As the years pass, your hair thins and you

struggle to hold onto even your hopes. Stop struggling, Rene. The wait is

over.S (1.9.62, 67-69) Marc could be called the devilUs advocate, as he

seems to push Gallimard in the direction of pursuing his Butterfly. When

Gallimard remarks that he is married and should not have an affair, Marc

rebuts with RAnd an excellent one [married man] too. I cheated

after......six months.S (1.9. 40-41) In the movie, Gallimard makes the

decision on his own and the viewer is never exposed to the thought process.

Given that if every thought process was revealed the movie would run

about six hours, it seems that the important decisions are not pondered.

When the reader gets a chance to see these thought processes, it gives

them a sense of who Gallimard is, how he was brought up, and how the

people that he respects behave. On the other hand, the omission of this

information gives the viewer of the movie no idea what Gallimard values,

which in turn forces the viewer to believe that Gallimard had no trouble

making these decisions and has no remorse or conscience. Both

presentations create amazingly different pictures, and in turn create

very different impressions. Once again, the narration in the play creates

a very different image of Gallimard than the relative

straight-forwardness of the movie.

Another character who is very different between both the movie

and the play is that of GallimardUs wife, Helga. Though a seemingly minor

character in both works, her relevance is very important when discussing

the character of Gallimard. In the play, the physical appearance of Helga

not given, however one can only conclude that she is not particularly

attractive, as the second scene of the first act describes. A woman

remarks RWell, heUs not very good looking.S (1.2. 22) When immediately

faced with these impressions, one can assume that a man who is fairly

unattractive and has never had much with love with women would be married

to a woman on similar terms. Also, there is no time at which Gallimard

speaks openly about his wife, giving the reader a sense that she is not

important to him. Thus, the picture of Helga is created. This picture is

not shown in the movie, as Jeremy Irons does not show any type of

misfortune with respect to his previous love life. In fact, the idea that

Gallimard in the movie has a wife and eventually has two mistresses

creates the image that Gallimard is a lady's man, and might have had

similar affairs previously. Strangely enough, these two conflicting

interpretations are both acceptable within the context of each the movie

and the play. Helga seems to show her face more in the play to inspire a

small feeling that what Gallimard is doing is wrong. In the movie, Helga

is hardly heard from, thus the viewer decides that they are married only

by law, and therefore cheating on his wife is not terrible. At the end

of the play, Gallimard tells Helga that he has been cheating, and her

reaction is

humorous. She accepts the fact that he has been cheating, and even

mentions that she expected it when she says RI knew you would. I knew you

would the day I married you.S (2.11.47-48) A comment like this proves the

earlier impression that the reader achieved when they believed that

ReneUs wife was far from important to him. Obviously, Helga was not in

love with Gallimard just as he was not in love with her, and both finally

understood each otherUs position. This final blow to GallimardUs

credibility is only hinted at in the movie, with the depiction of

Gallimard living by himself in an apartment until his Butterfly finds him

in France. Again, the audienceUs perception of GallimardUs personality is

different in both of these cases, with the reader of the play finding

Gallimard with less and less credibility while the viewer of the movie

sees the course of events as natural. This is another example of the

mental creation necessary to construct the story of the play while the

movie simply feeds the audience with information.

In conclusion, the audienceUs perception of Rene Gallimard is

much different in the play M Butterfly than in the movie of the same

title. Although David Henry Hwang wrote both the play and the screenplay,

the character development is far greater in the play. The reader must

create a picture of Gallimard by his impressions, reactions, and

interactions with characters from his past that simply do not exist in

the movie. Marc, GallimardUs best friend from school, does not exist in

the movie, but is the voice inside GallimardUs head throughout the play.

Helga, who exists in both works, has much more bearing in the book, again

shaping the readerUs impression of the kind of man that Gallimard really

is. The fact that the play employs a narrator and the movie does not

leads the reader down a different path, especially when the narrator is

Rene Gallimard himself. The human mind is one that is capable of creating

its own world. When viewing the movie, one sees a sense of Rene

GallimardUs world. When reading the play, one understands his world.


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